Mahanth S. Joishy is Editor of usindiamonitor

Imagine the extraordinarily low odds for any poor American rural kid to be able to make it to the NBA.  Those odds need to be multiplied many times over for a rural kid- even a gigantic one- from the state of Punjab in India to achieve the same goal.  And yet Satnam Singh Bhamara now stands on the cusp of finding a roster spot in the National Basketball Association.  The 7-foot-2 gentle giant was drafted in the second round of the 2015 NBA draft by the Dallas Mavericks, and currently plays in the Developmental League.  His epic rise, and the massive challenges he has had to overcome, are well-documented in the documentary film, One in a Billion, available as of this month on Netflix.  By no coincidence, Netflix is making major inroads into India.

One in a Billion does a fantastic job of laying out this story of someone who most basketball fans in the United States have not even heard of yet, a story whose ending is not yet written as Singh is just 21 years old.   The filmmakers gained access to a diverse bunch of people, including Singh’s family members, youth coaches, trainers, and teammates in both India and the United States, NBA Commissioner Adam Silver, Dallas Mavericks owner Mark Cuban, Sacramento Kings owner Vivek Ranadive, and Indian hoops journalist Karan Madhok.

The hero of the story could not possibly be easier to root for, regardless of your interest level in basketball.  Satnam’s relentless focus on improvement and positive energy in the face of obstacles, coupled with his desire to make family and country proud above all else is nothing short of inspiring.  He had to learn not only basketball but also English at a late age, which caused him major academic troubles in America.  The gym where he learned to play the game in India had a leaky roof and pigeons interrupting practices.

Satnam also faced inordinate amounts of homesickness and culture shock coming from a remote North Indian village to Florida for high school, leaving all of his friends and family far behind.  In the film even the NBA, which is a giant profit-making machine, shows that it has a bit of heart despite the fact that high-level institutional support for Satnam is very much about tapping the 1.25 billion person India market for money.

There are moments that I really loved.  The Indian farm scenes are poignant and sad, despite the upward trajectory of one of the village’s favorite sons.  At one point Satnam’s black high school teammates at IMG Academy in Florida joked around with Satnam about dancing and impressing girls, and probed him about what India was like.  There are moments where Satnam’s high school coach praises him, and others where he yells at him.  Satnam’s workouts, drills, and game footage are also interspersed into the documentary and show his progression.  Satnam gets fitted for his first suit and then the draft-day hijinks are very intense, and well-shot.  I got chills in the scene where Satnam shook hands with Larry Bird, who runs basketball operations for the Indiana Pacers, my favorite team.  Satnam in a Pacers uniform would be My. Dream. Come. True.

“People may look back on that date, and say that was the tipping point for basketball in India,” says Silver about Satnam’s drafting in the film.  I tend to agree.  India is too big to have just one major sport.  It’s possible that at some future date, basketball might one day give cricket a run for its money in India.  Personally, I can’t wait for that day to come, and for Singh, the Bhullar brothers, and others to pave the way for more Indians in pro basketball in the NBA and around the world.

In the meanwhile, this movie is the definitive account of how it all started.  Credit director Roman Gackowski and the whole crew for that.